Two glamorous film stars arrive in the shape of Dominic West and Laura Haddock to shoot a silent film in the stately home. The Crawley clan now has two sets of blow-ins to provide the drama and vanilla intrigue. Simon Curtis directs the result like an assembly line of tableaux: drawing room to dinner table, reverse and repeat. Fellowes thus introduces two new elements: the arrival of a film crew at the Crawley family’s Downton Abbey, and Granny’s (Maggie Smith) mysterious inheritance of a property porn villa in the South of France.
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The question here is whether the grosses will weather the Covid-era theatrical meltdown as creator Julian Fellowes sucks every last teardrop from the teat of this stately home melodrama and the show’s beloved doyenne makes her exit.ĭownton Abbey: A New Era delivers exactly the same as every other incarnation of Downton Abbey, only with a tearjerker ending for the core fanbase.Ĭlocking in again at a languid two hours, this, like its predecessor, comes across like a charming TV Christmas Special in which all the old familiar characters from the source soap reunite but find themselves with nothing to do as previous scripts have wrung them dramatically dry. The production spend doesn’t seem to have increased for the misleadingly titled Downton Abbey: A New Era (the cast is looking increasingly creaky and, plot wise, the show has long since stopped trying anything novel).
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120 mins.īack In 2019, the first Downton Abbey film, as soft as Lady Mary’s silk slips, took a surprising $238m worldwide, $100m of which came from the US - from a reported $13m budget.